SINE SANDAAN 2019
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Program Banner

FILMS FOR PEACE

FILMS FOR PEACE  is a program launched in 2024 by the Film Development Council of the Philippines as part of its 4th Philippine Film Industry Month. It is a short film competition to attest the significance of cinema as a medium of conversation, discussion and understanding of the importance of peace in the aspiration for a truly significant nation building. Films for Peace aspires to use the language of cinema, covering all the regions and languages of the Philippines to show how there is unity in our diversity; and that as Filipinos, we value the importance of mutual understanding, inclusiveness, and compassion for our countrymen.

 


The program shall be a continuing project that shall:

 

 

  • Promote the theme of unity through diversity, recognizing the heterogeneous nature of Philippine culture and subcultures as definitive components of the heart and soul of a single nation;
  • Utilize film as a medium to promote peace by showing its value vis a vis the road to progress and development;
  • Give form and meaning to the cruelty and destruction brought by war in the regional, national and international scale;
  • Use film as a medium for understanding, compassion, empathy and inclusiveness going beyond tolerance and seeking for a greater value in emphasizing humanity;
  • Cultivate understanding to sustain and preserve mutual respect and peace in the world;
  • Nurture mindful attention and reflection that can in turn lead to empathy and intercultural understanding; and
  • Experience the power of films to engage and stimulate audience

 

PRIZES
The prizes include:

  • Grand Prize: PHP 250,000.00 (gross), plus a trophy and a certificate
  • Second Prize: PHP 150,000.00 (gross), plus a trophy and a certificate
  • Third Prize: PHP 100,000.00 (gross), plus a trophy and a certificate
  • Finalist Award: PHP 10,000.00 (gross), plus a certificate


RELEASE OF PRIZES

  • Trophies and certificates will be presented to the winners during the awarding ceremony.
  • Prize money will be disbursed within forty-five (45) working days after the official
    announcement of the winners.
  • Winners will be required to submit all necessary documentation, such as valid identification and
    bank details, within ten (10) working days of the announcement to facilitate the prize release
    process.
  • Any delays in providing the required documents may result in a corresponding delay in the
    release of prize money.
  • The organizing committee reserves the right to withhold the prize money if discrepancies or
    eligibility issues are identified.
     

 



To apply, applicants must complete the application form through this link: fdcp.ph/FFP2026-Application and submit the required document.

  • Submissions are open from April 06 to August 20, 2026.

     

Applicants must meet the following eligibility criteria and comply with all requirements:

  1. Filipino citizen of legal age (18 years old and above).
  2. Filipino director and producer registered in the FDCP National Registry
  3. Holds or shares the intellectual property rights of the project
  4. Have all necessary rights to develop, produce, and distribute the project
  5. Do not have any overdue obligations from any FDCP assistance or funding programs
  6. Fully comply with all eligibility requirements as set by the FDCP, including the timely
    submission of required documents and adherence to all application guidelines.

Eligible Projects, Format, and Theme

 

Submitted projects must meet all of the following conditions:

  1. The Films For Peace Competition is a short film competition open to all Filipino citizens
    regardless of location and age, whether student, amateur, semi-professional or professional.
    Employees and contractual workers of the Film Development Council of the Philippines as well as
    their immediate relatives are disqualified from participating in the competition.

     

  2. Short films must be any of the following:
    a) short narrative feature;
    b) documentary;
    c) animation; or 
    d) mixed media

     

  3. Films must be in any Philippine language, dialect, or English, with English subtitles required for wide release in cinemas and on streaming platforms.

     

  4. Submissions must have a running time of not less than twelve (12) minutes but must not exceed twenty (20) minutes inclusive of opening billboard (OBB) and closing credits/closing billboard (CBB).

     

  5. Films must be completed between February 2026 to August 2026.
     
  6. Films must have their Philippine premiere at the Films for Peace Competition and must not have
    been previously screened or participated in any other local or international festivals, including
    those organized by schools, universities, or film organizations. If the film is currently under
    consideration by another festival or competition, this must be declared in the submission form.

     

  7.  Resolution of at least 1920x1080 (Full HD)

     

  8. Accepted formats - MP4, MOV. 

     

  9. Music and Copyright - any music that is royalty-free or properly licensed.

Films must carry the theme of:

  • The importance of peace;
  • The need for inclusivity;
  • The respect for diversity; but most of all
  • The celebration of being Filipino as a people and as citizens of the world

     

  1. By entering the Competition, the participants agree to abide by the Festival guidelines and rules. The
    FDCP shall be indemnified of any liabilities.

     

  2. In case of any violation of the guidelines and rules, the organizers and the judging Committee reserves
    the right to disqualify the participant and their film or remove them from the program.

     

  3. The organizers and the selection committee reserves the right to disqualify any participant and/or to
    forfeit any prize from a participant who is found to have committed plagiarism or has undertaken
    fraudulent practice and/or activities harmful to the Competition or the Competition submission
    process.

     

  4. FDCP reserves the right to create, revoke, and modify at any time, in any way its entry requirements,
    rules and regulations at its absolute discretion without prior notice. Finalists and submitted entries
    shall be bound by any amendments or addition to the entry requirements, rules and regulations
    herewith.

     

  5. The decision of the Selection Committee is final and irrevocable. The organizers and the selection
    committee are not obliged to give an explanation for the results.
     

The Films for Peace Competition is NOT available or eligible for:

  1. Films more than twenty (20) minutes long

     

  2. Advertisements or commercials

     

  3. Television series/programs

     

  4. News or current affairs programs

     

  5. Productions of public or live events

     

  6. Projects that contain pornography, promote violence, issues that insult,  offend, and/or portray the Philippines in a negative light as well as  threaten national security.

     

  7. Films with excessive violence, political propaganda, or films sponsored by government entities.

     

    "Excessive violence" refers to graphic or disturbing depictions of harm, injury, or suffering that are not essential to the story, theme, or artistic intent.

     

    "Political propaganda" refers to content that overtly promotes or advocates for a particular political agenda, ideology, or viewpoint, often in a biased or manipulative way, with the intent to influence public opinion or behavior.

     

  8. Projects based on adaptations for which the applicant does not hold the necessary intellectual property rights or permissions for adaptation

     

  9. Projects that infringe on existing copyrights, trademarks, or other intellectual property rights

A. Application Process

  1. Applicants must read and understand the terms of the General Guidelines on the  expectations and deliverables.  

     

  2. Each applicant may submit only one (1) project per cycle. Projects that will not get selected may only be eligible to reapply for the same competition if there are evident major creative and/or financial changes from its previous application.

     

  3. Fill out the application form through this link: fdcp.ph/FFP2026-Application

     

  4. Submit your film through online or offline entry:

     

    Online: Upload your film to a private video-sharing platform such as Google Drive or Vimeo (with or without password protection) in a high-quality format like Apple ProRes or a similar file type. Include the access link in the submission form. Please ensure that the link remains active and accessible until the competition concludes.

     

    Offline: Submit your film on a USB drive and send it to the FDCP office at Film Heritage Building, Sta. Lucia St., Intramuros, Manila

     

    The courier must be prepaid by the participants and properly labeled with the subject: Films for Peace Competition Entry, Your Name, Film Title.

  5. Please ensure that the following materials are also provided along with the film. Failure to provide may result in your submission being ineligible.

    Film Trailer: 30 to 45 seconds uploaded in Google Drive or included in USB for offline submission.

     

    Film Poster: High resolution uploaded in Google Drive or included in USB for offline submission.

     

    Director's Statement: Submit a brief explanation (maximum of 200 words) detailing how your film aligns with the theme "Films for Peace."

     

    Accomplished Entry Form: Complete the official Films for Peace entry through the google link posted on the FDCP.

     

    Copyright Clearance: If applicable, provide legal documentation for any third-party material used in the film (music, footage, etc.).

    Applicants must read and understand the terms of the General Guidelines on the 5 expectations and deliverables.

     

B. SELECTION PROCESS
 

STEPDESCRIPTION
Initial ScreeningSubmitted films will undergo an initial review to ensure their eligibility and compliance with technical requirements.
Pre-SelectionA shortlist of 30 entries will be selected based on the initial evaluation for further consideration.
Final SelectionThe top 12 entries will be chosen from the shortlisted submissions to proceed to jury evaluation.
Jury SelectionThe jury will assess the top 12 entries and determine the winners based on established criteria.
Announcement of WinnersThe winners will be announced in September as part of the Philippine Film Industry Month (PFIM). Notifications will also be sent to winners via email after the event.

 

C. Evaluation

 

Projects will be reviewed based on the following:

  • Impact of material: (30%)
    The emotional and intellectual influence the film has on its audience.

     

  • Originality of theme:  (25%)
    The uniqueness and creativity in the film’s central theme or message.

     

  • Technical Excellence: (25%)
    The quality and craftsmanship in the film’s production, including aspects like cinematography, editing, sound design, and visual effects.

     

  • Universal Appeal: (20%) 
    The film’s ability to resonate with a wide audience, regardless of their culture, location, or language.

 

There shall be two tiers in the competition: from all the submitted entries, the top twelve (12) entries will be selected by a committee of three (3) members composed of filmmakers and film scholars/ academicians.

 

Three (3) winners will be selected by a second jury composed of three (3) members, including representatives from major film agencies in the country: the Film Academy of the Philippines, the National Commission for Culture and the Arts, the Directors Guild of the Philippines, and the academe.



All twelve (12) finalists will be scheduled for exhibition at Cinematheques and select cinemas as part of the Philippine Film Industry Month celebrations in September 2026.

 

 

D. Selected Projects & Final Verification Process

  1. Selected applicants will be notified via email after the deliberation process.

     

  2. All exhibition and ancillary rights of the film remain with the filmmaker. However, the filmmaker grants the Film Development Council of the Philippines (FDCP) the right to screen the film free of charge for special screenings at Cinematheques, as well as for educational purposes at schools and universities that are members of the Academic Film Society (AFS). These screenings will be made available upon request by the FDCP, within a period mutually agreed upon by both parties, not exceeding two (2) years from the film’s premiere.

     

  3. Streaming Platforms: The films submitted to the competition may not be distributed on commercial streaming platforms during the competition period. After the competition, distribution on commercial platforms may be permitted, subject to the film owner’s discretion and any applicable rights agreements.

 

 

Program Banner

BEHIND THE REEL: THE FDCP ROUNDTABLE DISCUSSIONS

Get ready to step inside the world of cinema with Behind the Reel! Presented by the Film Development Council of the Philippines (FDCP) and supported by CineGang, Inc., this YouTube series gives you an exclusive, insider look at the film industry through dynamic roundtable discussions. Don’t miss our exciting episodes and keep an eye out for our incredible guest lineup! Hit up our channel and get ready for Behind the Reel!   

 

Program Banner

ISAPELIKULA: The FDCP Film Fund & Labs

ISAPELIKULA is a project aimed at supporting emerging Filipino filmmakers through incubation and match funding. The initiative provides mentorship, financial backing, and networking opportunities to help bring unique and culturally significant film projects to life.

 

 

INCUBATION

 

ISAPELIKULA incubation period will be the development of scripts of the selected projects and training for the selected filmmakers through a series of online mentorships and two residential intensive workshops on script development and pitching.

Through this program, the FDCP aims to develop the new works of the participants by putting them under intensive guidance from seasoned filmmakers and screenwriters.  The FDCP aims to transform the participants’ sequence treatment or draft script into film-ready screenplays and let them confidently pitch their projects to producers and financiers.

 

 

MATCHFUNDING

 

In match funding, the Film Development Council of the Philippines (FDCP) will match the investment/ funding secured by the finalist from a producer, up to a maximum of ₱10 million. 
 

 

OBJECTIVES

 

  1. Identify and develop feature film projects that are distinctly Filipino but with global appeal. These projects must be eligible for major international film festivals and markets, thereby uplifting the status of Philippine cinema to worldwide recognition and appreciation;
  2. Provide government support for Filipino filmmakers, to create original works that are not limited to the local market but bear a strong chance for regional and international distribution;
  3. Provide seed funding for the selected projects through the fund matching program; and
  4. Provide comprehensive support at every stage of the project, from script development, production, to post-production and distribution, through the relevant FDCP programs. The projects go through three parts:
    • Part One: Script Development & Pitching Workshop  
    • Part Two: Pre-Production to Post-Production Phase of the Projects
    • Part Three: Distribution

 

 

Eligible Applicants

 

  1. Filipino citizen and legal age (18 years old and above)
  2. Registered in the FDCP National Registry for Audiovisual Workers (NRAW)
  3. Must have written or co-written at least one feature-length film
  4. Holds or shares the intellectual property rights of the project.
  5. Have all necessary rights to develop, produce, and distribute the project
  6. Do not have any pending obligations from any FDCP assistance
  7. Project must not be concurrently being funded by another FDCP program
  8. Must comply with all eligibility requirements as set by the FDCP

 


Eligible Projects

 

  1. Feature-length film project
  2. Fiction, non-fiction, documentary, or animation
  3. May be original or an adaptation, provided there is an authorization letter from the original filmmaker
  4. Must be in English or any Filipino language or dialect, provided there is an English translation or subtitle
  5. Must have a Filipino director (with Filipino Citizenship)

 


Ineligible Projects

 

  1. Short film projects
  2. Television series/programs
  3. Academic or educational film projects
  4. Advertisements or commercials
  5. News or current affairs programs
  6. Productions for public or live events
  7. Projects containing explicit content, excessive violence, defamatory material, or content deemed harmful to national interest.
  8. Completed projects or have begun production prior to the application.
  9. Projects with pending obligations/unliquidated funds with FDCP

Provisional Application Process

  1. Read and understand the General Guidelines on the requirements & qualifications of the program.
  2. Access the application form through the Google link (click Apply Now) below.
  3. Requirements and other forms must be supplied in English or Filipino only.
  4. All application requirements must be consolidated and submitted at once.
  5. Supporting documents submitted separately will be disregarded, and the application will be considered incomplete.
  6. The official date of submission will be announced on the FDCP online platforms (website and social media platforms)
  7. Applicants must fill out the application form and submit the following requirements:
    1. Storyline
    2. Applicant must adhere to the format of the storyline:
      1. Maximum of five pages
      2. Font: Courier New               
      3. Font Size: 12 pt             
      4. Spacing: Single-spaced
      5. ​Paper Size: Letter size (8.5 x 11in)
    3. Sequence treatment, if available
    4. Resume and Filmography (with proof of credits)
    5. Producer, if applicable
    6. Writer’s Statement or Letter of Motivation
    7. Proof of Registration to the National FDCP Registry
    8. Philippine passport and any secondary ID
    9. Notarized or Public instrument of the ownership of intellectual property
    10. The template can be download through the link provided in the form. Applicants must scan the notarized document and upload it to the provided portal in the online form
    11. Clearance Certificate/s from previously availed FDCP programs (if applicable) .
       
  8. The ISAPELIKULA team will verify all submitted documents for the application.

 


 

Evaluation and Selection Process

  1. The Selection Committee will evaluate and review the applications.
  2. Twenty (20) Semi-finalists will be selected and announced in FDCP online platforms.

     

Projects will be screened based on the following:

 

Originality and impact of the theme of the narrative

A fresh, unique concept with a strong emotional or intellectual effect.

50%

Embodiment of Filipino values and culture

Authentic representation of Filipino heritage, traditions, and identity.

30%

Universal or global appeal

A story that resonates with diverse audiences beyond cultural boundaries.

20%
TOTAL100%

 

 

The decision of the Selection Committee is final and irrevocable. The Committee is not obliged to give any further explanation on the results.

 


 

Finalist Selection Process

The grantees for the ISAPELIKULA: Match funding will be selected from the incubation program.

 


 

Match Funding Process

  1. Finalist with secured investor must submit the following documents for verification:
    1. Certificate from the incubation participation
    2. Signed and notarized agreement with the co-financier indicating the investment amount
    3. Writer’s Certification
    4. Production Timeline
  2. Signing of MOA with the FDCP, Finalist, and the investor/co-producer.
  3. Finalists must start principal photography within 6 months upon signing the agreement.
  1. Do we need to have a producer in place upon application?
    • No, however, having a producer in place will give you leverage in the selection process, especially for choosing the finalists.
       

       

  2. Are co-writers or groups allowed to apply?
    • Yes. However, one representative must serve as the official applicant and be duly registered and active under the FDCP National Registry. All co-writers must also meet eligibility requirements.
       

       

  3. Will the film lab include a monetary grant?
    • The film lab will include fellowship and mentorship on script and pitching workshops to develop the project. The project's funding will be provided during the production phase upon selection for matchfunding.


       

  4. Can I apply if I'm currently based abroad?
    • Yes, as long as you are a Filipino citizen and meet all eligibility requirements. Participation in online and onsite workshops, however, is mandatory.

       

  5. Is there any participation fee?
    • No. Participation in the ISAPELIKULA workshop is free of charge.


       

  6. What will selection for Isapelikula involve in relation to FDCP's role in the project's production?
    • Upon selection for Isapelikula, FDCP will support the entire production process, including project incubation, production, and distribution.


       

  7. Can a project that has already received support from Isapelikula apply for other FDCP funding programs? 
    • Projects that are selected for Isapelikula must not be concurrently funded by another FDCP program.
       

       

  8. Will I retain the rights to my project after the workshop?
    • Yes. The filmmaker retains full ownership and intellectual property rights. However, they must comply with FDCP's acknowledgment and reporting requirements if selected.

       
  9. Who should I contact for questions or clarifications?
     

    You may reach out to:

Program Banner

STUDENT FILM ASSISTANCE PROGRAM

The Student Film Assistance Program (SFAP) is a funding program exclusively offered to students who are currently enrolled in AFS-registered colleges and universities and will be producing their thesis film. Successful projects may receive a grant amounting from PHP 30,000.00 to PHP 50,000.00 for the production of a thesis film project.

 

APPLICANTS


Students who are currently enrolled in AB Film, Communication, or any related course program in public or private universities and colleges that are registered to the Academic Film Society; has a good academic standing with no failing grades; will be producing a short film as their final thesis or capstone project which is a major requirement for graduation. 

  • FINANCIAL GRANT

    The FDCP may award a Grant amounting from PHP 30,000.00 to PHP 50,000.00 for the production of a thesis film project.

    The FDCP will open up to 25 slots per semester (or 50 slots per year) to all Filipino student filmmakers from any accredited educational institution in the country. The program will be opened on two cycles based on the start of the semesters of each academic year. The grant is awarded per project.

 

  • TRAINING

    The successful Grantees will be required to attend a one day Masterclass in Film Production to be conducted by the FDCP.  This will serve as a refresher course and will ensure that the Grantees are equipped for the conduct of their film production.

The program is dedicated to college students who:

  • are currently enrolled in AB Film, Communication, or any related course program in public or private universities and colleges that are registered to the Academic Film Society;

     

  • has a good academic standing with no failing grades;

     

  • will be producing a film as their thesis or course project which is a major requirement for graduation.
  • The program is only open for academic film projects that meet the following:

     

  • Writer, director, and producer must be Filipino and enrolled in a course program in film, communication, or any related program;

     

  • Must be a work of fiction, documentary, experimental, or animation;

     

  • Must be in Filipino, other Filipino languages, or English;

     

  • Must have a production-ready script or treatment (if documentary);

     

  • Must be ready to commence principal photography within 6 months;

     


 

What Projects Are Not Accepted

  • Advertisements or commercials;

     

  • Television or web series; 

     

  • Projects that may already be classified under R-18 of the Movie and Television Review and Classification Board (MTRCB) Guidelines.

Qualified Expenses

  • Production
  • Studio rental
  • Location rental/on-set shootings
  • Permits
  • Equipment rental
  • Health and Safety Requirements
  • Transportation for location shoot
  • Lodging during location shoot
  • Production Design / Props 
     

Post-production 

  • Outsourced video editing services such as online conform, color-grading, animation / visual effect / 3D conversion, etc. from professional post-production studios
  • Outsourced audio-post production services such as sound editing, music, and scoring, sound design, sound mixing, voice-over, etc. from professional post-production studios
  • Subscription to audio-visual post-production softwares such as Final Cut Pro, Adobe Premiere Pro, Adobe Audition, etc.
  • Post-production requirements such as hard drives, flash drives, and CDs.
     

Non-qualified Expenses

The Grant may NOT be used to cover the costs for the following:

  • Any part of the student/s or university's fees;
  • Any expenses outside of the Philippines; and
  • Purchase of any type of equipment (e.g. computers, laptops, tablets, cellular phones, modems, fax machines)
  • Talent fees for actors and production staff
  • Complete and accurately filled out SFAP Application Form

     

  • Student’s latest Enrollment Form and/or School ID

     

  • Certified True Copy of latest student evaluation / grade report

     

  • Official Letter of Endorsement for the Student from the Department Chair/Head/College Dean (Template provided)

     

  • Work and Financial Plan (Template provided)

     

  • Final Production Script

     

  • Portfolio/reel, if any

 

  1. Submission. Application must be submitted via email to afs@fdcp.gov.ph
  2. Verification. The FDCP Film Education Division shall check all documents and verify accuracy and completeness. Once verified, the proponent will be prompted to send the hardcopy of the signed and notarized Statutory Declaration.
  3. Technical Committee Evaluation. Once received, the application will be reviewed by a technical committee composed of members with expertise across the areas of film production, as well as members of the academe. Each application will be evaluated based on the following:
    • Quality of the script
    • Academic Standing of Student
    • Feasibility of work plan
    • Credibility of the Financial Plan or proposal on where the applicant intends to spend the Grant
    • Potential of the academic film project to be competed in film festivals

 

The application may be accepted or declined if it does not comply with all of the guidelines of the program. The decision of the Technical Committee is final and irrevocable. The Technical Committee is not obliged to give any further explanation for the results.

 

The SFAP will be opened for two (2) cycles per year. Applicants must ensure to lodge their documents before the close date of the cycle that applies to their current semester.

 

  • Cycle 1: TBA

     

  • Cycle 2: TBA
Program Banner

SINE KABATAAN SHORT FILM LAB AND FESTIVAL 2026



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<span>SINE KABATAAN SHORT FILM LAB AND FESTIVAL 2026</span>

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Now on its 9th edition, the Sine Kabataan will be conducting an open call for story concepts from young filmmakers from Luzon, Visayas and Mindanao to continue its goal of supporting young filmmakers from project development to production of their films.

Twenty (20) story concepts will be shortlisted and will be required to participate in film labs to further develop their skills in film production and to elevate their projects. Later on, ten (10) projects will be chosen as finalists through pitching. The chosen finalists will be given a grant to produce their Sine Kabataan Short Film.
 

To apply, fill out the application form at https://fdcp.ph/sinekab2026-Call  

 

GUIDELINES:

  1. The competition is open to all young filmmakers of ages 18 to 23 years old and must have produced at least one short film.
  2. Only one (1) submission per applicant will be accepted.
    2.1.    Applicants must make sure that their producer (if they already have one) does not have a project in any other SineKab 2026 entries.
  3. The applicants may submit concepts that depict the youth’s perception of the following issues: 

 

HEALTHSECURITY & PEACE BUILDING
  • Teenage Pregnancy
  • HIV/Aids
  • Mental Health
  • Adolescent disability
  • Youth in conflict with the laws
  • Youth in conflicted areas
  • Youth in peace-building
  • Digital or Online safety
EDUCATIONFAMILY VALUES
  • Out-of-school youth
  • Bullying
  • Lack of access to education
  • Violence against children
  • Abandonment
  • Effects of migration

4.    Entries must not be a thesis film.

 

5.    Twenty (20) concepts will be shortlisted and will undergo film pitching with the Sine Kabataan Selection Committee. From the film pitch, ten (10) projects will be chosen as finalists and will be selected for development and production. The chosen finalists will be given the grant to produce Sine Kabataan Short Film.

 

6.    Films can be live action, animated, documentary or experimental 

 

7.    The completed film must have a total running time of at least seven (7) to twenty (20) minutes, including the opening and closing credits.
 

8.    The completed film output will have its premiere during the Philippine Film Industry Month in September 2026.
 

9.    Projects that have already been completed or have begun production prior to the application are ineligible to apply.
 

10.    The rights to completed film output will belong to the proponent. However, the Film Development Council of the Philippines reserves the right to screen entries in various cultural and non-commercial events and platforms.
 

11.    The use of original or adapting literary sources, music materials, artwork, photography, etc. must have proper clearance from their respective copyright owners before they can be used in the final output. The Festival organizers shall not be liable for any costs related to claims of performing rights organizations.
 

12.    By entering the Festival, the participants agree to abide by the Festival guidelines and rules. The FDCP shall be indemnified of any liabilities.
 

13.    In case of any violation of the guidelines and rules, the organizers and the judging Committee reserves the right to disqualify the participant and their film or remove them from the program.
 

14.    The organizers and the selection committee reserves the right to disqualify any participant and/or to forfeit any prize from a participant who is found to have committed plagiarism or has undertaken fraudulent practice and/or activities harmful to the Festival or the Festival submission process.
 

15.    FDCP reserves the right to create, revoke, and modify at any time, in any way its entry requirements, rules and regulations at its absolute discretion without prior notice. Finalists and submitted entries shall be bound by any amendments or addition to the entry requirements, rules and regulations herewith.
 

16.    The decision of the Selection Committee is final and irrevocable. The organizers and the selection committee are not obliged to give an explanation for the results.
 

17.    The applicant must have a clear record with the FDCP having no outstanding clearance issues from all other types of FDCP assistance program.
 

 

ENTRY REQUIREMENTS

 

The following requirements must be uploaded to the same link as the application form. Incomplete requirements will not be accepted. 
 

  1. DULY ACCOMPLISHED APPLICATION FORM with complete details (Complete name and contact details, Working Title, Synopsis, Director/Scriptwriter Intention’s Note, Concept and Financial Plan)
     

    Application form can be downloaded via this link: Sine Kabataan 9 Application Form
     

  2. Online link to one (1) previously produced short film (if applicable). (Note: the online link must be set to private and the link and password must be uploaded via Vimeo or Google Drive).
  3. Brief resume, HD profile photo, and a copy of a government-issued ID of the filmmaker.
  4. Story concept (in PDF) and/or script if available.

SUBMISSION OF ENTRIES
The deadline for submission is until March 6, 2026

The FINALISTS are required to send two of their members and shall undergo intensive film labs under the supervision and guidance of mentors from the film industry that would help them to develop their skills in story development, editing, technicalities, and other elements of filmmaking to better translate their stories.

FILM LAB 1 : Story Development Lab


In the Story Development Lab, FDCP will be inviting directors and writers from the industry to equip the finalists with the necessary tools and information they need to create truthful and insightful narratives that will translate into inspiring films. The lab will have a talk and separate mentoring for each finalist.


FILM LAB 2 : Pitching  Lab and Showcase


This Lab focuses on how to perfectly pitch a project to different kinds of investors, which contents are the most adequate to present, what information you cannot leave out of your presentation and how to communicate your ideas and your project in the best possible way. After the lab, there will be a Pitching Session where all the shortlisted participants will pitch their projects to the Selection Committee. Ten (10) projects will be chosen as part of the Sine Kabataan Finalist.


FILM LAB 3 : Editing Lab


The editing lab is a one-on-one session with industry experts. The finalists will bring the rough cut of their films and will be criticized and mentored for the betterment of their project. The two-day workshop ensures that there is progress with the mentored projects. After this, they will be given ample time to polish their works and will be subject to submission in preparation for the screening and awards night.

GRANTS / FUND
This competition consists of TEN (10) chosen finalists and will be given a production grant of P 200,000.00 each to produce at least 7 to 20 minutes short film and shall comply with all the administrative and auditing requirements as advised by the Sine Kab Secretariat. The grant will be given in two (2) tranches.


FILM FESTIVAL
The completed film output will have its premiere during the Philippine Film Industry Month in September.


AWARDS AND PRIZES
Aside from the production fund, incentive awards will be given to the finalist who best deserves the following: 

AWARDSPRIZES

BEST SHORT FILM

SPECIAL JURY PRIZE

BEST DIRECTOR

BEST SCREENPLAY

BEST CINEMATOGRAPHY

BEST EDITING

SPECIAL MENTION

- PHP 50,000.00

- PHP 40,000.00

- PHP 30,000.00

- PHP 30,000.00

- PHP 30,000.00

- PHP 30,000.00

- PHP 20,000.00

 

PH GOES TO CANNES 2025

May 13, 2025

12:00 AM – 12:00 AM GMT

Location: Canes Film Festival

CANNES, FRANCE –The Film Development Council of the Philippines (FDCP) is representing the country at the 78th Cannes Film Festival, from May 13 to 24, 2025. The Cannes Film Festival, one of the most prestigious film industry events in the world, offers a valuable platform for the Philippine delegation to amplify the country's presence in global cinema.

Running concurrently is Marché du Film, the festival’s industry market, where Filipino film professionals will engage in screenings, pitching sessions, and key networking opportunities with international stakeholders.

The Philippines also brings a powerful slate of films, highlighting the richness of Philippine cinema. Leading the lineup is the premiere of Lav Diaz’s Magellan, alongside Arvin Belarmino and Kyla Danelle Romero’s short film Agapito, which is competing in the festival.

Also featured are three notable international co-productions — Renoir by Chie Hayakawa, co-produced by Daluyong Studios and Nathan Studios; Ali by Adnan Al Rajeev with a screenplay by Arvin Belarmino and Kyla Danelle Romero, co-produced by Katalog Films; and Bleat! by Ananth Subramaniam, co-produced by Epicmedia Productions. 

In addition, Magnetic Letters by Demie Dangla, part of the Speedy Pitches! X Spotlighted Projects 2025, joins the roster.

On top of this diverse lineup of films, key Filipino industry players are also set to make their mark. Producers Christelle Lou Dychango, Geo Lumuntad, and Ma-an L. Asuncion-Dagnalan are confirmed to participate in the Producers Network from May 14 to 19.

The Philippine-Singapore Pavilion features nine (9) distinguished Filipino production companies alongside eleven (11) Singaporean organizations, further solidifying the country’s visibility and collaborative potential within the global film community. 

With this mission, the FDCP aims to further ignite the nation’s growing presence and influence in international cinema. As the Philippines makes a mark in Cannes, it reaffirms its commitment to becoming a strong and dynamic force on the global cinematic stage.

For more information on the FDCP and its international programs, follow us on Facebook, X, and Instagram, or visit the official website at www.fdcp.ph

 

Program Banner

National Artist Program (NAP)

National Artist Program (NAP) was created by the FDCP to recognize and honor the efforts of the filmmakers and artists in producing quality Filipino films for the development of Philippine arts.

 

The program will provide a maximum financial grant of Two Million Pesos (PHP2,000,000.00) to selected projects through the recommendation of the FDCP Chair and approval of the members of the Council/Board; The National Artist Program will support projects, including films, documentaries, books, and research that highlight the life and contributions of the National Artist for Cinema and Film and Broadcast Arts.

 

MAXIMUM FUNDING

For Films: The maximum for film projects is Two Million Pesos (PHP 2,000,000.00).
For Books: The maximum funding available for book projects is One Million Pesos (PHP 1,000,000.00).
For Research: The maximum funding available for research projects is Three Hundred Thousand Pesos (PHP 300,000.00)


TERMS OF RELEASE

The release of the fund shall be made in three (3) tranches:

First Tranche

Fifty percent (50%) of the approved amount will be released within 30 working days after the submission of the National Artist Program Admin Form, signing of the Memorandum of Agreement (MOA), and submission of all required documents.


Second Tranche

Thirty percent (30%) of the approved amount will be released within 30 working days upon approval of the audited liquidation and deliverables.


Third/Last Tranche

Twenty percent (20%) of the approved amount within thirty (30) working days upon the submission of the final report and deliverables.

Eligible Applicants

 

Applicants must meet the following eligibility criteria and comply with all requirements:

  • A Filipino citizen of legal age (18 years old and above).
  • FOR FILM: Filipino director or producer registered in the FDCP National Registry.
    • FDCP National Registry
      The National Registry (NR) is a program under the FDCP that maintains a database of active film, television, and press workers, audiovisual workers, production companies, organizations, and film festivals in the Philippines.

      All applicants of the National Artist Program must be duly registered under the National Registry for Companies (NRC). If the director of the project is a Filipino, he/she must be registered under National Registry for Audiovisual Workers (NRAW). ​​​​​​

  • Holds or shares the intellectual property rights of the project. Any disputes arising regarding intellectual property rights post-submission will lead to disqualification of the entry until such disputes are fully resolved.
  • Have all necessary rights to develop, produce, and distribute the project.
  • Do not have any overdue obligations from any FDCP assistance or funding programs.
  • The project must not concurrently be funded by another FDCP program.
  • Fully comply with all eligibility requirements as set by the FDCP, including the timely submission of required documents and adherence to all application guidelines.

Eligible Projects and Format

 

FILM

Full-length Narrative Feature films, short films (should be at least 20 minutes running time), and documentary films and documentary series, animation, or mixed media.

  • The project should be in the pre-production phase, or at the script/proposal stage, with clear development beyond the initial concept. This means the project must have a finalized script, detailed production plan, or visual treatment, and must be prepared for production or further development.
     

BOOKS

  • Eligible book formats include biographies, non-fiction narratives, literary works, and comics that highlight the life, achievements, and contributions of the National Artist for Cinema and Film and Broadcast Arts, providing in-depth insights into their impact on the industry and culture.
     

RESEARCH

  • Eligible research studies must be at the level of an MA thesis or higher, including PhD dissertations, scholarly or academic studies, and other advanced research projects.
  • The applicant may conduct basic, applied, or action research using quantitative, qualitative, or mixed methods approaches, with a primary focus on the National Artists for Film and Broadcast Arts.
  • Both individuals and organizations are eligible to apply for support under the National Artist Program, provided the research meets the criteria outlined.
     

​​​​Ineligible Project

  1. Advertisements or commercials
  2. Television series/programs
  3. News or current affairs programs
  4. Productions of public or live events
  5. Projects containing explicit content, excessive violence, defamatory material, or content deemed harmful to national interest will be disqualified.
  6. Films with excessive violence, political propaganda, or films sponsored by government entities.
  7. Projects with pending obligation/unliquidated funds with FDCP.
  8. Projects with no clear alignment to the National Artist for Cinema and Film and Broadcast Arts’ life or works.
  9. For Films:
    Projects that have already been completed or have begun production prior to the application
  10. For Books:
    • Projects that have been completed or partially published and/or distributed prior to the submission of the application
  11. For Research:
    • Studies that have already been completed or published before the application period.

    • Research that does not directly focus on the National Artists for Film and Broadcast Arts.

    • Projects that lack a well-defined research methodology or do not meet standards of scholarly excellence.

    • Studies with ethical concerns, including plagiarism or improper use of sources.


(Note: For more information, please refer to the complete guidelines of the National Artist Program.)

Provisional Application Process

  • Applicants must read and understand the General Guidelines, including expectations and deliverables.
  • To apply, applicants must access the application form through the google link posted on the FDCP website www.fdcp.ph. This will serve as the platform for application and submission of requirements
    Important notes:
    1. Required documents for the application and other forms must be supplied in English or Filipino only.
    2. All application requirements must be consolidated and submitted at once.
    3. Supporting documents that are sent separately will be disregarded, and the application will be considered incomplete 
       

GFORMS LINK FOR NATIONAL ARTIST PROGRAM [FILM]
National Artist Program - Film Application

 

GFORMS LINK FOR NATIONAL ARTIST PROGRAM [BOOKS]
National Artist Program - Book Application

 

GFORMS LINK FOR NATIONAL ARTIST PROGRAM [RESEARCH]
National Artist Program - Research Application

 

  • Applicants must fill out the Application Form and submit the required documents stated on III.B. REQUIREMENTS.
  • Applicants must wait for the email notification on the submitted Application form.
  • NAP Program Officer will verify all the submitted documents and applicants may be asked to provide supplementary documents, should it be decided that the submitted documents contain inadequate details.
  • Once all documentary requirements are completed, the National Artist Program (NAP) Program Officer will submit the project to the FDCP management and Board of Trustees, for review and approval.
  • Once approved, the NAP Program Officer must notify the applicant via email and schedule an orientation on eligible expenses.
  • Each applicant/ organization is permitted to undertake only one (1) project per fiscal year.
     

EVALUATION

Projects will be reviewed based on the following:

 

FOR FILMS

Quality of the Project and Production Team

  • Strength of the concept, storytelling, and artistic vision.
  • Experience and capability of the production
30%

Cultural and Historical Relevance

  • Degree to which the project promotes Philippine culture and heritage
  • Authenticity and depth in portraying the cultural and historical significance of the National Artist's contributions
25%

Alignment with the National Artist's Legacy

  • Clear connections to the life, works, and impact of the National Artist for Cinema and Film and Broadcast Arts
  • Contributions to preserving and promoting Philippine cultural identity
20%

Financial Feasibility

  • Financial strength and sustainability of the project
  • Feasibility and practicality of the proposed budget
15%

Proposed Use of Grant Funds

  • Clarity and justification of the allocation of funds
  • Alignment with the project's objectives and feasibility
10%
TOTAL:100%

 

FOR BOOKS


Quality of Content and Writing

  • Clarity, depth, and originality of the proposed material
  • Writing style, structure, and overall approach to the subject
30%

Cultural and Historical Relevance

  • Contribution to understanding the National Artist's life and impact on Philippine culture
  • Accuracy and authenticity in portraying the National Artist's contributions
     
25%

Alignment with National Artist's Legacy

  • How the proposed book connects to the National Artist's works and contributions to Film and Broadcast Arts
20%

Research Depth and Scholarly Value

  • Comprehensive research framework and the proposal's potential to contribute to scholarly discourse
15%

Feasibility and Publishing Plan

  • Clear strategy for publishing, distribution, and audience engagement
10%
TOTAL:100%

 

FOR RESEARCH
 

Research and Design and Methodology

Clear research questions, methodology, and methods proposed (qualitive, quantitative, or mixed)
Appropriateness of the methodology to address the research objectives

30%

Cultural and Historical Relevance

Focus on the National Artist's contributions and their impact on film and broadcast arts
Potential to contribute to the preservation of Philippine culture and history

25%

Alignment with National Artist's Legacy

How the proposed book connects to the National Artist's works and contributions to Film and Broadcast Arts

20%

Research Depth and Scholarly Value

Comprehensive research framework and the proposal's potential to contribute to scholarly discourse

15%

Feasibility and Publishing Plan

Clear and realistic plan for competing the research within a given timeline and budget

10%
TOTAL:100%

 

Please note that in addition to the above considerations, the application may be declined if it does not comply with the guidelines of the funding as stated herein.

 

The decision of the FDCP Board of Trustees (BOT) is final and irrevocable. The BOT is not obliged to give any further explanation of the results.

 

PROCESS FOR SELECTED PROJECTS

  1. Selected applicants will be notified via email following FDCP Management and Board of Trustees' approval.
  2. The proponent is required to enter into a Memorandum of Agreement (MOA) with the FDCP, certifying compliance with the National Artist Program guidelines.

     

    The MOA must be wet signed by the proponent on all pages (excluding the notarial page) and printed in four (4) copies on legal-size bond paper.

     

    The proponent is responsible for submitting the completed MOA to the FDCP Main Office (7th floor, Mirax Tower 1, 2270 Chino Roces Avenue, Makati City). Once both parties have signed the MOA, the FDCP will notarize the document and return a copy to the proponent.

     

    The MOA must be finalized BEFORE the start of production or publishing.

     

  3. ​​​​​​The Program Officer will coordinate with the proponent regarding the processing of the approved assistance. A briefing will be conducted to address the technical details and ensure the proponent fully understands the requirements and procedures associated with the grant.
  4. The production or publishing timeline must align with the timeliness stated in the MOA. Any changes must be communicated to the NAP Officer via email, with an official request submitted to the FDCP Chairman and CEO for approval.
  5. Projects must be completed within one (1) year from the MOA signing date. Final deliverables must be submitted as part of liquidation and verification.
Program Banner

JUANFLIX: The FDCP Channel

JuanFlix: The FDCP Channel is a streaming platform that aims to offer quality content for local and international film enthusiasts, learners, and filmmakers by curating homegrown and world cinema that inspires, enriches, and challenges perspectives.

 

Follow JuanFlix: The FDCP Channel on social media to get the latest updates:

 

facebook.com/juanflixph
Instagram.com/juanflixph

 

 

 

REGISTER AND SUBSCRIBE NOW!

What can I watch on JuanFlix?

 

Users will be able to watch curated short and full-length films, ranging from special premieres, notable classics, and modern masterpieces from the local and international cinema scene on very affordable subscription rates.

 

What can I watch on JuanFlix?

 

Users will be able to watch curated short and full-length films, ranging from special premieres, notable classics, and modern masterpieces from the local and international cinema scene on very affordable subscription rates.

 

How can I access the JuanFlix?

 

The JuanFlix can be accessed via https://juanflix.com.ph/ through web browsers running on internet-capable devices such as desktop computers, laptops, tablets, and smartphones.

 

HOW DO I REGISTER?

 

1. Go to the JuanFlix website: https://juanflix.com.ph/.

2. Choose your desired subscription.

3. Pay for your subscription through PayMongo using GCash, credit card, or debit card.

 

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