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FILMS FOR PEACE is a program launched in 2024 by the Film Development Council of the Philippines as part of its 4th Philippine Film Industry Month. It is a short film competition to attest the significance of cinema as a medium of conversation, discussion and understanding of the importance of peace in the aspiration for a truly significant nation building. Films for Peace aspires to use the language of cinema, covering all the regions and languages of the Philippines to show how there is unity in our diversity; and that as Filipinos, we value the importance of mutual understanding, inclusiveness, and compassion for our countrymen.
The program shall be a continuing project that shall:
PRIZES
The prizes include:
RELEASE OF PRIZES
To apply, applicants must complete the application form through this link: fdcp.ph/FFP2026-Application and submit the required document.
Applicants must meet the following eligibility criteria and comply with all requirements:
Eligible Projects, Format, and Theme
Submitted projects must meet all of the following conditions:
The Films For Peace Competition is a short film competition open to all Filipino citizens
regardless of location and age, whether student, amateur, semi-professional or professional.
Employees and contractual workers of the Film Development Council of the Philippines as well as
their immediate relatives are disqualified from participating in the competition.
Short films must be any of the following:
a) short narrative feature;
b) documentary;
c) animation; or
d) mixed media
Films must be in any Philippine language, dialect, or English, with English subtitles required for wide release in cinemas and on streaming platforms.
Submissions must have a running time of not less than twelve (12) minutes but must not exceed twenty (20) minutes inclusive of opening billboard (OBB) and closing credits/closing billboard (CBB).
Films must have their Philippine premiere at the Films for Peace Competition and must not have
been previously screened or participated in any other local or international festivals, including
those organized by schools, universities, or film organizations. If the film is currently under
consideration by another festival or competition, this must be declared in the submission form.
Resolution of at least 1920x1080 (Full HD)
Accepted formats - MP4, MOV.
Films must carry the theme of:
The celebration of being Filipino as a people and as citizens of the world
By entering the Competition, the participants agree to abide by the Festival guidelines and rules. The
FDCP shall be indemnified of any liabilities.
In case of any violation of the guidelines and rules, the organizers and the judging Committee reserves
the right to disqualify the participant and their film or remove them from the program.
The organizers and the selection committee reserves the right to disqualify any participant and/or to
forfeit any prize from a participant who is found to have committed plagiarism or has undertaken
fraudulent practice and/or activities harmful to the Competition or the Competition submission
process.
FDCP reserves the right to create, revoke, and modify at any time, in any way its entry requirements,
rules and regulations at its absolute discretion without prior notice. Finalists and submitted entries
shall be bound by any amendments or addition to the entry requirements, rules and regulations
herewith.
The Films for Peace Competition is NOT available or eligible for:
Films more than twenty (20) minutes long
Advertisements or commercials
Television series/programs
News or current affairs programs
Productions of public or live events
Projects that contain pornography, promote violence, issues that insult, offend, and/or portray the Philippines in a negative light as well as threaten national security.
Films with excessive violence, political propaganda, or films sponsored by government entities.
"Excessive violence" refers to graphic or disturbing depictions of harm, injury, or suffering that are not essential to the story, theme, or artistic intent.
"Political propaganda" refers to content that overtly promotes or advocates for a particular political agenda, ideology, or viewpoint, often in a biased or manipulative way, with the intent to influence public opinion or behavior.
Projects based on adaptations for which the applicant does not hold the necessary intellectual property rights or permissions for adaptation
A. Application Process
Applicants must read and understand the terms of the General Guidelines on the expectations and deliverables.
Each applicant may submit only one (1) project per cycle. Projects that will not get selected may only be eligible to reapply for the same competition if there are evident major creative and/or financial changes from its previous application.
Fill out the application form through this link: fdcp.ph/FFP2026-Application
Submit your film through online or offline entry:
Online: Upload your film to a private video-sharing platform such as Google Drive or Vimeo (with or without password protection) in a high-quality format like Apple ProRes or a similar file type. Include the access link in the submission form. Please ensure that the link remains active and accessible until the competition concludes.
Offline: Submit your film on a USB drive and send it to the FDCP office at Film Heritage Building, Sta. Lucia St., Intramuros, Manila
The courier must be prepaid by the participants and properly labeled with the subject: Films for Peace Competition Entry, Your Name, Film Title.
Please ensure that the following materials are also provided along with the film. Failure to provide may result in your submission being ineligible.
Film Trailer: 30 to 45 seconds uploaded in Google Drive or included in USB for offline submission.
Film Poster: High resolution uploaded in Google Drive or included in USB for offline submission.
Director's Statement: Submit a brief explanation (maximum of 200 words) detailing how your film aligns with the theme "Films for Peace."
Accomplished Entry Form: Complete the official Films for Peace entry through the google link posted on the FDCP.
Copyright Clearance: If applicable, provide legal documentation for any third-party material used in the film (music, footage, etc.).
Applicants must read and understand the terms of the General Guidelines on the 5 expectations and deliverables.
B. SELECTION PROCESS
| STEP | DESCRIPTION |
| Initial Screening | Submitted films will undergo an initial review to ensure their eligibility and compliance with technical requirements. |
| Pre-Selection | A shortlist of 30 entries will be selected based on the initial evaluation for further consideration. |
| Final Selection | The top 12 entries will be chosen from the shortlisted submissions to proceed to jury evaluation. |
| Jury Selection | The jury will assess the top 12 entries and determine the winners based on established criteria. |
| Announcement of Winners | The winners will be announced in September as part of the Philippine Film Industry Month (PFIM). Notifications will also be sent to winners via email after the event. |
C. Evaluation
Projects will be reviewed based on the following:
Impact of material: (30%)
The emotional and intellectual influence the film has on its audience.
Originality of theme: (25%)
The uniqueness and creativity in the film’s central theme or message.
Technical Excellence: (25%)
The quality and craftsmanship in the film’s production, including aspects like cinematography, editing, sound design, and visual effects.
There shall be two tiers in the competition: from all the submitted entries, the top twelve (12) entries will be selected by a committee of three (3) members composed of filmmakers and film scholars/ academicians.
Three (3) winners will be selected by a second jury composed of three (3) members, including representatives from major film agencies in the country: the Film Academy of the Philippines, the National Commission for Culture and the Arts, the Directors Guild of the Philippines, and the academe.
All twelve (12) finalists will be scheduled for exhibition at Cinematheques and select cinemas as part of the Philippine Film Industry Month celebrations in September 2026.
D. Selected Projects & Final Verification Process
Selected applicants will be notified via email after the deliberation process.
All exhibition and ancillary rights of the film remain with the filmmaker. However, the filmmaker grants the Film Development Council of the Philippines (FDCP) the right to screen the film free of charge for special screenings at Cinematheques, as well as for educational purposes at schools and universities that are members of the Academic Film Society (AFS). These screenings will be made available upon request by the FDCP, within a period mutually agreed upon by both parties, not exceeding two (2) years from the film’s premiere.
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Get ready to step inside the world of cinema with Behind the Reel! Presented by the Film Development Council of the Philippines (FDCP) and supported by CineGang, Inc., this YouTube series gives you an exclusive, insider look at the film industry through dynamic roundtable discussions. Don’t miss our exciting episodes and keep an eye out for our incredible guest lineup! Hit up our channel and get ready for Behind the Reel!
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“Parangal ng Sining” (Honor of the Arts) is FDCP’s initiative to recognize Filipino filmmakers, artists, and institutions who continue to achieve and work for excellence, leading to acclaim in international film festivals across the globe.
READ: PARANGAL NG SINING 2025 HONOREES
READ: PARANGAL NG SINING 2024 HONOREES
READ: PARANGAL NG SINING 2023 HONOREES
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ISAPELIKULA is a project aimed at supporting emerging Filipino filmmakers through incubation and match funding. The initiative provides mentorship, financial backing, and networking opportunities to help bring unique and culturally significant film projects to life.
INCUBATION
ISAPELIKULA incubation period will be the development of scripts of the selected projects and training for the selected filmmakers through a series of online mentorships and two residential intensive workshops on script development and pitching.
Through this program, the FDCP aims to develop the new works of the participants by putting them under intensive guidance from seasoned filmmakers and screenwriters. The FDCP aims to transform the participants’ sequence treatment or draft script into film-ready screenplays and let them confidently pitch their projects to producers and financiers.
MATCHFUNDING
In match funding, the Film Development Council of the Philippines (FDCP) will match the investment/ funding secured by the finalist from a producer, up to a maximum of ₱10 million.
OBJECTIVES
Eligible Applicants
Eligible Projects
Ineligible Projects
Provisional Application Process
Evaluation and Selection Process
Twenty (20) Semi-finalists will be selected and announced in FDCP online platforms.
Projects will be screened based on the following:
Originality and impact of the theme of the narrative A fresh, unique concept with a strong emotional or intellectual effect. | 50% |
Embodiment of Filipino values and culture Authentic representation of Filipino heritage, traditions, and identity. | 30% |
Universal or global appeal A story that resonates with diverse audiences beyond cultural boundaries. | 20% |
| TOTAL | 100% |
The decision of the Selection Committee is final and irrevocable. The Committee is not obliged to give any further explanation on the results.
Finalist Selection Process
The grantees for the ISAPELIKULA: Match funding will be selected from the incubation program.
Match Funding Process
No, however, having a producer in place will give you leverage in the selection process, especially for choosing the finalists.
Yes. However, one representative must serve as the official applicant and be duly registered and active under the FDCP National Registry. All co-writers must also meet eligibility requirements.
The film lab will include fellowship and mentorship on script and pitching workshops to develop the project. The project's funding will be provided during the production phase upon selection for matchfunding.
Yes, as long as you are a Filipino citizen and meet all eligibility requirements. Participation in online and onsite workshops, however, is mandatory.
No. Participation in the ISAPELIKULA workshop is free of charge.
Upon selection for Isapelikula, FDCP will support the entire production process, including project incubation, production, and distribution.
Projects that are selected for Isapelikula must not be concurrently funded by another FDCP program.
Who should I contact for questions or clarifications?
You may reach out to:
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The Student Film Assistance Program (SFAP) is a funding program exclusively offered to students who are currently enrolled in AFS-registered colleges and universities and will be producing their thesis film. Successful projects may receive a grant amounting from PHP 30,000.00 to PHP 50,000.00 for the production of a thesis film project.
APPLICANTS
Students who are currently enrolled in AB Film, Communication, or any related course program in public or private universities and colleges that are registered to the Academic Film Society; has a good academic standing with no failing grades; will be producing a short film as their final thesis or capstone project which is a major requirement for graduation.
FINANCIAL GRANT
The FDCP may award a Grant amounting from PHP 30,000.00 to PHP 50,000.00 for the production of a thesis film project.
The FDCP will open up to 25 slots per semester (or 50 slots per year) to all Filipino student filmmakers from any accredited educational institution in the country. The program will be opened on two cycles based on the start of the semesters of each academic year. The grant is awarded per project.
TRAINING
The successful Grantees will be required to attend a one day Masterclass in Film Production to be conducted by the FDCP. This will serve as a refresher course and will ensure that the Grantees are equipped for the conduct of their film production.
The program is dedicated to college students who:
are currently enrolled in AB Film, Communication, or any related course program in public or private universities and colleges that are registered to the Academic Film Society;
has a good academic standing with no failing grades;
The program is only open for academic film projects that meet the following:
Writer, director, and producer must be Filipino and enrolled in a course program in film, communication, or any related program;
Must be a work of fiction, documentary, experimental, or animation;
Must be in Filipino, other Filipino languages, or English;
Must have a production-ready script or treatment (if documentary);
Must be ready to commence principal photography within 6 months;
What Projects Are Not Accepted
Advertisements or commercials;
Television or web series;
Qualified Expenses
Post-production
Non-qualified Expenses
The Grant may NOT be used to cover the costs for the following:
Complete and accurately filled out SFAP Application Form
Student’s latest Enrollment Form and/or School ID
Certified True Copy of latest student evaluation / grade report
Official Letter of Endorsement for the Student from the Department Chair/Head/College Dean (Template provided)
Work and Financial Plan (Template provided)
Final Production Script
The application may be accepted or declined if it does not comply with all of the guidelines of the program. The decision of the Technical Committee is final and irrevocable. The Technical Committee is not obliged to give any further explanation for the results.
The SFAP will be opened for two (2) cycles per year. Applicants must ensure to lodge their documents before the close date of the cycle that applies to their current semester.
Cycle 1: TBA
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Now on its 9th edition, the Sine Kabataan will be conducting an open call for story concepts from young filmmakers from Luzon, Visayas and Mindanao to continue its goal of supporting young filmmakers from project development to production of their films.
Twenty (20) story concepts will be shortlisted and will be required to participate in film labs to further develop their skills in film production and to elevate their projects. Later on, ten (10) projects will be chosen as finalists through pitching. The chosen finalists will be given a grant to produce their Sine Kabataan Short Film.
To apply, fill out the application form at https://fdcp.ph/sinekab2026-Call
GUIDELINES:
| HEALTH | SECURITY & PEACE BUILDING |
|
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| EDUCATION | FAMILY VALUES |
|
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4. Entries must not be a thesis film.
5. Twenty (20) concepts will be shortlisted and will undergo film pitching with the Sine Kabataan Selection Committee. From the film pitch, ten (10) projects will be chosen as finalists and will be selected for development and production. The chosen finalists will be given the grant to produce Sine Kabataan Short Film.
6. Films can be live action, animated, documentary or experimental
7. The completed film must have a total running time of at least seven (7) to twenty (20) minutes, including the opening and closing credits.
8. The completed film output will have its premiere during the Philippine Film Industry Month in September 2026.
9. Projects that have already been completed or have begun production prior to the application are ineligible to apply.
10. The rights to completed film output will belong to the proponent. However, the Film Development Council of the Philippines reserves the right to screen entries in various cultural and non-commercial events and platforms.
11. The use of original or adapting literary sources, music materials, artwork, photography, etc. must have proper clearance from their respective copyright owners before they can be used in the final output. The Festival organizers shall not be liable for any costs related to claims of performing rights organizations.
12. By entering the Festival, the participants agree to abide by the Festival guidelines and rules. The FDCP shall be indemnified of any liabilities.
13. In case of any violation of the guidelines and rules, the organizers and the judging Committee reserves the right to disqualify the participant and their film or remove them from the program.
14. The organizers and the selection committee reserves the right to disqualify any participant and/or to forfeit any prize from a participant who is found to have committed plagiarism or has undertaken fraudulent practice and/or activities harmful to the Festival or the Festival submission process.
15. FDCP reserves the right to create, revoke, and modify at any time, in any way its entry requirements, rules and regulations at its absolute discretion without prior notice. Finalists and submitted entries shall be bound by any amendments or addition to the entry requirements, rules and regulations herewith.
16. The decision of the Selection Committee is final and irrevocable. The organizers and the selection committee are not obliged to give an explanation for the results.
17. The applicant must have a clear record with the FDCP having no outstanding clearance issues from all other types of FDCP assistance program.
ENTRY REQUIREMENTS
The following requirements must be uploaded to the same link as the application form. Incomplete requirements will not be accepted.
DULY ACCOMPLISHED APPLICATION FORM with complete details (Complete name and contact details, Working Title, Synopsis, Director/Scriptwriter Intention’s Note, Concept and Financial Plan)
Application form can be downloaded via this link: Sine Kabataan 9 Application Form
SUBMISSION OF ENTRIES
The deadline for submission is until March 6, 2026
The FINALISTS are required to send two of their members and shall undergo intensive film labs under the supervision and guidance of mentors from the film industry that would help them to develop their skills in story development, editing, technicalities, and other elements of filmmaking to better translate their stories.
FILM LAB 1 : Story Development Lab
In the Story Development Lab, FDCP will be inviting directors and writers from the industry to equip the finalists with the necessary tools and information they need to create truthful and insightful narratives that will translate into inspiring films. The lab will have a talk and separate mentoring for each finalist.
FILM LAB 2 : Pitching Lab and Showcase
This Lab focuses on how to perfectly pitch a project to different kinds of investors, which contents are the most adequate to present, what information you cannot leave out of your presentation and how to communicate your ideas and your project in the best possible way. After the lab, there will be a Pitching Session where all the shortlisted participants will pitch their projects to the Selection Committee. Ten (10) projects will be chosen as part of the Sine Kabataan Finalist.
FILM LAB 3 : Editing Lab
The editing lab is a one-on-one session with industry experts. The finalists will bring the rough cut of their films and will be criticized and mentored for the betterment of their project. The two-day workshop ensures that there is progress with the mentored projects. After this, they will be given ample time to polish their works and will be subject to submission in preparation for the screening and awards night.
GRANTS / FUND
This competition consists of TEN (10) chosen finalists and will be given a production grant of P 200,000.00 each to produce at least 7 to 20 minutes short film and shall comply with all the administrative and auditing requirements as advised by the Sine Kab Secretariat. The grant will be given in two (2) tranches.
FILM FESTIVAL
The completed film output will have its premiere during the Philippine Film Industry Month in September.
AWARDS AND PRIZES
Aside from the production fund, incentive awards will be given to the finalist who best deserves the following:
| AWARDS | PRIZES |
BEST SHORT FILM SPECIAL JURY PRIZE BEST DIRECTOR BEST SCREENPLAY BEST CINEMATOGRAPHY BEST EDITING SPECIAL MENTION | - PHP 50,000.00 - PHP 40,000.00 - PHP 30,000.00 - PHP 30,000.00 - PHP 30,000.00 - PHP 30,000.00 - PHP 20,000.00 |
May 13, 2025
12:00 AM – 12:00 AM GMT
Location: Canes Film Festival
CANNES, FRANCE –The Film Development Council of the Philippines (FDCP) is representing the country at the 78th Cannes Film Festival, from May 13 to 24, 2025. The Cannes Film Festival, one of the most prestigious film industry events in the world, offers a valuable platform for the Philippine delegation to amplify the country's presence in global cinema.
Running concurrently is Marché du Film, the festival’s industry market, where Filipino film professionals will engage in screenings, pitching sessions, and key networking opportunities with international stakeholders.
The Philippines also brings a powerful slate of films, highlighting the richness of Philippine cinema. Leading the lineup is the premiere of Lav Diaz’s Magellan, alongside Arvin Belarmino and Kyla Danelle Romero’s short film Agapito, which is competing in the festival.

Also featured are three notable international co-productions — Renoir by Chie Hayakawa, co-produced by Daluyong Studios and Nathan Studios; Ali by Adnan Al Rajeev with a screenplay by Arvin Belarmino and Kyla Danelle Romero, co-produced by Katalog Films; and Bleat! by Ananth Subramaniam, co-produced by Epicmedia Productions.

In addition, Magnetic Letters by Demie Dangla, part of the Speedy Pitches! X Spotlighted Projects 2025, joins the roster.

On top of this diverse lineup of films, key Filipino industry players are also set to make their mark. Producers Christelle Lou Dychango, Geo Lumuntad, and Ma-an L. Asuncion-Dagnalan are confirmed to participate in the Producers Network from May 14 to 19.

The Philippine-Singapore Pavilion features nine (9) distinguished Filipino production companies alongside eleven (11) Singaporean organizations, further solidifying the country’s visibility and collaborative potential within the global film community.

With this mission, the FDCP aims to further ignite the nation’s growing presence and influence in international cinema. As the Philippines makes a mark in Cannes, it reaffirms its commitment to becoming a strong and dynamic force on the global cinematic stage.
For more information on the FDCP and its international programs, follow us on Facebook, X, and Instagram, or visit the official website at www.fdcp.ph
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National Artist Program (NAP) was created by the FDCP to recognize and honor the efforts of the filmmakers and artists in producing quality Filipino films for the development of Philippine arts.
The program will provide a maximum financial grant of Two Million Pesos (PHP2,000,000.00) to selected projects through the recommendation of the FDCP Chair and approval of the members of the Council/Board; The National Artist Program will support projects, including films, documentaries, books, and research that highlight the life and contributions of the National Artist for Cinema and Film and Broadcast Arts.
MAXIMUM FUNDING
For Films: The maximum for film projects is Two Million Pesos (PHP 2,000,000.00).
For Books: The maximum funding available for book projects is One Million Pesos (PHP 1,000,000.00).
For Research: The maximum funding available for research projects is Three Hundred Thousand Pesos (PHP 300,000.00).
TERMS OF RELEASE
The release of the fund shall be made in three (3) tranches:
First Tranche
Fifty percent (50%) of the approved amount will be released within 30 working days after the submission of the National Artist Program Admin Form, signing of the Memorandum of Agreement (MOA), and submission of all required documents.
Second Tranche
Thirty percent (30%) of the approved amount will be released within 30 working days upon approval of the audited liquidation and deliverables.
Third/Last Tranche
Twenty percent (20%) of the approved amount within thirty (30) working days upon the submission of the final report and deliverables.
Eligible Applicants
Applicants must meet the following eligibility criteria and comply with all requirements:
FDCP National Registry
The National Registry (NR) is a program under the FDCP that maintains a database of active film, television, and press workers, audiovisual workers, production companies, organizations, and film festivals in the Philippines.
All applicants of the National Artist Program must be duly registered under the National Registry for Companies (NRC). If the director of the project is a Filipino, he/she must be registered under National Registry for Audiovisual Workers (NRAW).
Eligible Projects and Format
FILM
Full-length Narrative Feature films, short films (should be at least 20 minutes running time), and documentary films and documentary series, animation, or mixed media.
BOOKS
RESEARCH
Ineligible Project
For Research:
• Studies that have already been completed or published before the application period.
• Research that does not directly focus on the National Artists for Film and Broadcast Arts.
• Projects that lack a well-defined research methodology or do not meet standards of scholarly excellence.
• Studies with ethical concerns, including plagiarism or improper use of sources.
(Note: For more information, please refer to the complete guidelines of the National Artist Program.)
Provisional Application Process
GFORMS LINK FOR NATIONAL ARTIST PROGRAM [FILM]
National Artist Program - Film Application
GFORMS LINK FOR NATIONAL ARTIST PROGRAM [BOOKS]
National Artist Program - Book Application
GFORMS LINK FOR NATIONAL ARTIST PROGRAM [RESEARCH]
National Artist Program - Research Application
EVALUATION
Projects will be reviewed based on the following:
FOR FILMS
Quality of the Project and Production Team
| 30% |
Cultural and Historical Relevance
| 25% |
Alignment with the National Artist's Legacy
| 20% |
Financial Feasibility
| 15% |
Proposed Use of Grant Funds
| 10% |
| TOTAL: | 100% |
FOR BOOKS
| 30% |
Cultural and Historical Relevance
| 25% |
Alignment with National Artist's Legacy
| 20% |
Research Depth and Scholarly Value
| 15% |
Feasibility and Publishing Plan
| 10% |
| TOTAL: | 100% |
FOR RESEARCH
Research and Design and Methodology Clear research questions, methodology, and methods proposed (qualitive, quantitative, or mixed) | 30% |
Cultural and Historical Relevance Focus on the National Artist's contributions and their impact on film and broadcast arts | 25% |
Alignment with National Artist's Legacy How the proposed book connects to the National Artist's works and contributions to Film and Broadcast Arts | 20% |
Research Depth and Scholarly Value Comprehensive research framework and the proposal's potential to contribute to scholarly discourse | 15% |
Feasibility and Publishing Plan Clear and realistic plan for competing the research within a given timeline and budget | 10% |
| TOTAL: | 100% |
Please note that in addition to the above considerations, the application may be declined if it does not comply with the guidelines of the funding as stated herein.
The decision of the FDCP Board of Trustees (BOT) is final and irrevocable. The BOT is not obliged to give any further explanation of the results.
PROCESS FOR SELECTED PROJECTS
The proponent is required to enter into a Memorandum of Agreement (MOA) with the FDCP, certifying compliance with the National Artist Program guidelines.
The MOA must be wet signed by the proponent on all pages (excluding the notarial page) and printed in four (4) copies on legal-size bond paper.
The proponent is responsible for submitting the completed MOA to the FDCP Main Office (7th floor, Mirax Tower 1, 2270 Chino Roces Avenue, Makati City). Once both parties have signed the MOA, the FDCP will notarize the document and return a copy to the proponent.
The MOA must be finalized BEFORE the start of production or publishing.
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JuanFlix: The FDCP Channel is a streaming platform that aims to offer quality content for local and international film enthusiasts, learners, and filmmakers by curating homegrown and world cinema that inspires, enriches, and challenges perspectives.
Follow JuanFlix: The FDCP Channel on social media to get the latest updates:
facebook.com/juanflixph
Instagram.com/juanflixph
What can I watch on JuanFlix?
Users will be able to watch curated short and full-length films, ranging from special premieres, notable classics, and modern masterpieces from the local and international cinema scene on very affordable subscription rates.
What can I watch on JuanFlix?
Users will be able to watch curated short and full-length films, ranging from special premieres, notable classics, and modern masterpieces from the local and international cinema scene on very affordable subscription rates.
How can I access the JuanFlix?
The JuanFlix can be accessed via https://juanflix.com.ph/ through web browsers running on internet-capable devices such as desktop computers, laptops, tablets, and smartphones.
HOW DO I REGISTER?
1. Go to the JuanFlix website: https://juanflix.com.ph/.
2. Choose your desired subscription.
3. Pay for your subscription through PayMongo using GCash, credit card, or debit card.